For me, art is a clever way to represent a theme, an event, or a reaction to the immediate environment. It is the visual evolution of traditional genres such as landscape, still life, and portraiture, as well as a constant dialogue with the formal and intellectual legacy of previous movements.

My creative process begins with an idea, which defines the choice of technique, style, materials, dimensions, title, and final destination of the work. I strive to integrate all these elements into a coherent and harmonious whole.

More than an academic or aesthetic representation, my work is an exercise in conceptual sharpness, where each element serves a precise function. I do not limit myself to a single technique or style but address contemporary social issues using all visual arguments, whether from art history itself or from the incorporation of the most innovative forms of social communication.

I consider a piece successful when it is autonomous, capable of attracting the viewer and generating a deep dialogue. I aspire for the first impression to lead to an immersion that invites reflection and provokes a transformative experience.

Every artwork is referential because it arises from the artist's experience, culture, and concepts. In my case, each piece carries a strong social charge, a touch of Cubanness, and a dose of rawness—but above all, irony and sarcasm.